1173 - Stainless Part One by Charles Huntington
An unforgettable feature of the Mayo Civic Center is a towering stainless steel sculpture that stands eighteen feet tall and weighs over 1,500 pounds. Dubbed the “jewel of the future arts plaza,” it was created by artist Charles Huntington. While many artists work within specific themes or inspirations, Huntington’s sole intention was to craft something visually striking–and he did just that. He chose stainless steel for its ability to reflect sunlight and capture attention. Combined with the sculpture's commanding scale, the result is a powerful piece that leaves a lasting impression on all who encounter it.
Charles Huntington was an American Indian artist of Ojibwe heritage, born in Niagara, Wisconsin, near the shores of Lake Michigan. As a child, he moved with his family to the Minneapolis–St. Paul area, where his artistic journey would later begin. After serving as a steam engineer in the United States Navy during World War II, Huntington returned home and worked in automotive repair. It was in this setting that he first explored sculpture, using discarded car parts as his material.
In 1959, he left the auto industry to study at the Minneapolis College of Art and Design. Under the mentorship of renowned Minnesota sculptor Paul Granlund, Huntington refined his skills, especially in metal casting. Reflecting on this career change in an interview with the Hibbing Daily Tribune, he said: “Hard financially, but emotionally it was pretty damn easy…I don’t believe I make sculpture. I believe sculpture made me.”
Huntington’s signature works are large-scale steel sculptures, frequently displayed in public spaces. Characterized by abstract forms–often incorporating helixes and infinity symbols–his pieces invite both physical engagement and thoughtful contemplation. His contributions to the arts earned him a position as artist-in-residence with the Minneapolis School System, and he is featured in a Minneapolis Public Schools teacher’s guide on Native American art and artists. Beyond Rochester, his sculptures can be found throughout the Midwest, including installations at Western Michigan University and General Mills, each one a lasting testament to his vision and impact on public art.